CURATIONS
When I saw how deeply artists and activists align in mindset and values, I felt I had to act. Both are driven for meaning, love to redefine, question existing systems, and look beyond the self. Through the Didan Collective program, I became a curator. In 2024–2025, I brought two participatory group exhibitions on climate, learning everything—from venues to themes to installation—from scratch.
I came to see that public-interest curator is a strangely delicate role: accountable to audiences, to the coherence of the works, and to a sense of public meaning beyond self-expression. These tensions seem irreconcilable, yet they’re exactly what makes the role so fascinating.


Trans-Pore (2025)
The climate crisis today is no longer distant but felt in our bodies and minds: pollen clogs the nose, heatwaves seal the pores, fine particles seep into the lungs, and anxiety multiplies in the dark. In these situated, everyday experiences, we sense the vulnerability of being human—caught by the vastness of our smallness, slumping in resignation, weary of the very word “change”.
In an era where ideology has hardened into concrete, crossing boundaries and resisting powerlessness are themselves acts of risk. Yet thought is, by nature, Trans-Pore. Looking around, we do not bear this alone—the illness of humans is also the illness of wind, of soil, of earthworms, of buildings, of cities. They interweave and rub, passing through each other at their thresholds, forming new relations and force.
We cannot cure a vast, systemic sickness overnight. But when we name this reality as a “shared illness”, then through folk wisdom, thought experiments, and interspecies empathy we can push the edges, find room to breath, and catch a glimmer of light. A pore is both an exit and an entrance. Through it, we try—to invite the wind back, to loosen the soil, to let rooftops breathe, and to let bodies meet within the cracks.
Duration: 2025.9.28-11.09
Venue: FEI Arts, No.9 Building, 2nd Street, TongChuangHui, Haizhu District, Guangzhou China
Curators: Dani Wang, Zongxiu Xie
Curation Team: Xinyao Fu, Ming Chiu, Peizhen Lin
Artists: /Lín Shí/ Movement, Tang & Reiner.G, Try Green, Ziyan, Ziqing Zhou, Mimi Foundation
Project Advisors: Janson Ho, Hui Lu, Jue Wang
Organizer: imPACKED
Partners: Harmony Community Foundation, FEI Arts
Exhibited Piece 01

Exhibited Piece 02

Participants: baobaobaobao1457, Amon, CATermillar, QIJIAYAN, Dani, Keke, Low; Label: M2H ; Club: CaveCave
Exhibited Piece 03

Exhibited Piece 04

Exhibited Piece 05

Exhibited Piece 06

Participants:
///

Warming in Parts (2024)
On July 21, 2024, earth faced its hottest day in modern history. Extreme weather jolted the world awake: rain flooded deserts, tornadoes danced with hail, and heat waves claimed lives. As temperatures soared dramatically in certain regions, our awareness lagged.
“Warming in Parts” not only reveals the impact of global warming on vulnerable areas, but also metaphorically highlights the immense dangers of people’s slow awakening. This exhibition, grounded and collective, powerfully yet sensitively explores the climate crisis through six pieces that blend the material and spiritual, crafting an aesthetic that challenges authority and norms.
Through declining fruit harvests, reverence for unseen forces, light-water interplay, hidden urban corners, intergenerational memories of Dongting Lake, and energy flow formulas, climate change takes on a face we can’t ignore – its impact is profound and undeniable. Participatory art, in its subtlety, helps us envision what data alone cannot: the human story of a boiling planet.
Duration: 2024.9.28-10.27
Venue: Art Gallery, 2nd Floor, Jingzili Complex I, Liwan District, Guangzhou, China
Curators: Dani Wang, Rui Bai
Curation Team: Xinyao Fu, Ming Chiu, Peizhen Lin
Artists: Atong, Ziyan Chen, Tintin, Amos Yi Huang, Lao Hei, Nianqi Zhang
Art Advisor: Sipei Lu
Organizer: imPACKED
Partners: Hamony Community Foundation, paper and fun, Jingzili Cultural and Creative Community






